Not that you’d know by the bizarre first hour, a barely interactive torrent of tortured exposition. Instead, we get the most deliciously complex and satisfying stealth game his ideas have always teased. Phantom Pain could have veered further into Kojima’s tendency for self-indulgent twaddle to fulfil his nascent movie director ambitions. After a much-publicised spat with long-time publisher Konami, he’s delivered the ultimate resignation letter in the form of his last and greatest Metal Gear Solid. Hideo Kojima is the closest gaming gets to an auteur. PREPOSTEROUS, yet extraordinary – what a way to go out.
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